Anthony McIntyre ☠ Last week I opted not to make the vigil.
An event in Dublin's Academy Plaza made the choice for me. The Independent Writers Union which I recently joined was holding its AGM. A motion had been proposed by the writer Kevin Doyle that:
This AGM agrees that the Irish Writers Union will pledge its support to the Palestinian Campaign for the Academic and Cultural Boycott of Israel (PACBI). PACBI advocates for a boycott of Israeli academic and cultural institutions for their deep and persistent complicity in Israel’s denial of Palestinian rights stipulated in international law.
PACBI is an initiative that got off the ground in 2024. Its aim is:
to contribute to the struggle for Palestinian freedom, justice, and equality. It advocates for a boycott of Israeli academic and cultural institutions for their deep and persistent complicity in Israel’s denial of Palestinian rights stipulated in international law.
That alone seemed an authentic reason to miss the vigil. Even though it seemed to me that Irish writers would be fairly much in line with the prevalent abhorrence throughout Irish society of Israeli genocide to such an extent that the motion passing would be a mere formality, I still felt it worthwhile to attend and give my support to it.
By the time Kevin Doyle had finished his pitch to the conference I felt to myself that will surely clinch it. When Sally Rooney addressed the conference I was convinced I could have got up and left simply because what she said was so potent, so intellectually persuasive, so limiting in the space it allowed for an alternative approach to sound remotely plausible, that there was no need for me to remain in terms of my vote making a difference. The cerebral quality of the combined appeal by Sally Rooney and Kevin Doyle was an effective double tap strike down of any suggestion that there might be a way for a writerly institution to avoid doing the right thing. I didn't leave but stayed only to learn that the institutional instinct is more self preservationist than it is a commitment to the values it professes to uphold.
As the debate proceeded, for some incomprehensible reason a tweet by Alan Shatter, the former Fine Gael Minister for Justice, was read out. Shatter tweeted that:
On Saturday the intellectually challenged Irish Writers Union will become the first such body in Europe to join the cultural boycott of Israel. This self perceived group of intellectuals will be shamefully reviving in Ireland Nazi Nuremberg Laws to a state with 14 Nobel Laureates.
Why a statement from a pompous snob who is not a member of the union should have been read out was never explained. Did a conference of writers really need to hear that a trenchant cheerleader for the Nazi-like state of Israel was opposed to a cultural boycott? I can think of lots of people who for different reasons might oppose the boycott and are worthy of being listened to. In fact, on the day we heard a few. But they were members of the union and had every right to be heard by conference.
At that point I sensed a mood change in the room. It wasn't uproarious by any stretch of the imagination but it wasn't imperceptible either. It seemed to set the tone for the discussion which was replete with a lot of what ifs? and yes buts - the type of discursive deflating whose primary aim was described many years ago by the poet of bureaucracy James Boren: to strangle ideas, smother imitative, and suffocate any potential for doing anything effective. The unifying theme was a bogus one - those artists and writers who did not support genocide or who were not silent on it would be targeted by the boycott. Fact checks that pointed out the demonstrable falsity of such a position, with specific reference to the very focused policy of PACBI, were ignored in favour of writerly fictions.
In the end, the proposal fell by the most narrow of margins despite an emotive appeal by Fiona O'Rourke to the union not to abandon Palestinians to their fate.
The vast majority, if not all of the speakers who opposed the motion, expressed their abhorrence of Israeli genocide and the unbearable suffering of Palestinians. They were very forthright. One would be loathe to accuse any of them of lacking moral courage. Yet each contributed in their own way to allowing a union of writers to project itself, again to borrow from James Boren, as a pencil with a rubber at either end. In other words, institutionally ineffectual on matters that matter, or worse.
As we departed the scene of the crime at the Academy Plaza, our abiding memory was that the biggest influence of the day was that of Alan Shatter, who caused the blood to draw from the face of the union as readily as it did the humanitarian ink from its pen.


















